I loved the show--though that was pretty much a given.
Venue

Seats were uncomfortable, but seldom occupied, thankfully. Me and the rest of the middle-aged set clogged up the concession and restroom lines nicely--to the point that a beer purchase prior to the show meant a 30-minute wait in line.
Dave
I was hoping that, since we're at a mid-point of the tour, that Dave and the band would be relaxed, but not yet showing the negative effects of so many shows prior. To the first point, the band was clearly looser, it seemed to me, than they were earlier in the year. The rigors of the tour, though, seem to be wearing on Dave, for sure.
I thought his vocal work was pretty inconsistent. Having watched his other 2012 perfomances, I was expecting that. But the degree to which he struggled, at times, surprised me a bit. It often seemed that he couldn't choose how to sing a song and would alternate between high, mid, and low tones--like he'd try one, decide it wasn't working, and then switch to another, which often wasn't working either. I get the impression that it's easier for him to hit the higher notes, now, than the lower, as he often defaulted to singing about an octave higher than he did on the original recordings. I found his struggles most notable on Chinatown. At other times, however, he was spot on, though those times were more rare, for sure. When he got it "right," it was awesome--1981 tour all over again.
I'll be the first to say that I don't enjoy DLR-flavored-VH because of the amazing lead vocals. I enjoy DLR-flavored-VH because DLR infuses every performance, live and recorded, with a soul the band's seldom been able to replicate without him. That spirit was present in the arena before the show started and continued until the last bits of confetti fell on the stage.
Band
The band plays better, now, than they ever have, as far as I'm concerned. "Hot For Teacher," and "Everybody Wants Some," especially, were performed beautifully.

I must admit that I didn't care for the drum solo this time, as it really wasn't a solo anymore. All I heard was salsa music with lots of added percussion. I thought the pre-recorded video that accompanied the solo was kind of cheesy. I would've MUCH preferred a live video-feed instead of random video of Al's sticks flying all over the place.
As he has been for the entirety of this tour, Edward was perfect. His solo was considerably shortened and I was okay with that. I've always preferred his playing within the context of his songs, so if cutting the 15-minute solo in half meant a couple of extra songs, I'm all the happier.
Overall, the band seems to have achieved some odd sort of peace with their music and the massive impact it's had on those fortunate enough to appreciate it. It's hard to explain what I'm thinking as I type that, but it's almost like they play the songs, now, as if they were proud parents. They own the songs now instead of simply performing them. It seems to me that sense of ownership pervaded the entire show, last night, and, perhaps, contributed to the very positive and friendly vibe that was the hallmark. To be sure, I missed the band's early 80's swagger, but they've filled that hole with a quiet and mature confidence that more than made up for the less aggressive nature of the performance. It was a wonderful night in Tacoma.
Oh--Tacoma: After being on your feet for the duration, you chose to finally sit during my favorite VH song, "Women in Love." I will always resent you for the implication. :)
Also--Be sure to view the rest of the m5150's fabulous photostream from the show.